Live Latin jazz and timba beats, plus spoken word in a “docu theater” telling the true stories of four Afro-Cuban immigrant artists in our Bay Area!
A new and timely multidisciplinary bilingual performance, featuring Grammy-nominated artist Yosvany Terry; DJ Leydis, the first Afro-Cuban female DJ to play at the White House; and award-winning dancer and choreographer Ramón Ramos Alayo.
ONE NIGHT ONLY!
WE HAVE IRÉ by Paul S. Flores
NOVEMBER 26 (Tues) One Night Only
Show @ 7:00PM
Dresher Ensemble Studio
2201 Poplar Street Studio# 32138, Oakland, CA 94607.
Directed by Rosalba Rolón, We Have Iré speaks to the challenges of being an immigrant artist and celebrates the triumph of establishing one’s voice in a new country.
In this bilingual performance combining spoken word, dance, and live music, Grammy-nominated artist Yosvany Terry; award-winning dancer and choreographer Ramón Ramos Alayo; DJ Leydis, the first Afro-Cuban female DJ to play at the White House; and Youth Speaks cofounder Flores use their respective art forms to tell their real-life stories of finding success in the United States through hard work and iré, the Lucumí condition of being blessed with positive energy.
“We Have Iré celebrates Cuban immigrants, giving them space to tell their stories on their own terms though dance, music and theater,” remarks Flores. “I chose to set the play in a club called Que Rico, Asere! (meaning ‘It’s good to be Cuban, my friend’) to highlight the joy Cubans bring to all whenever they get together to share their talents. We Have Iré also focuses on the nuances of Latinx identity, including Afro-Cuban, by breaking down stereotypes and revealing the complexities of being Black, immigrant, female, and bilingual. The artists in We Have Iré are well known in the Bay Area and have accomplished a high level of excellence in the United States, Cuba, and abroad. This is a chance to know their personal stories of how they became who they are today, what they risked, and how they are inspired to stay connected to their homeland while living between two countries.”
Shaped by Flores’s research into his own roots and interviews with collaborators, the performance profiles Terry, whose unique confluence of Cuban roots music and jazz “has helped redefine Latin jazz as a complex new idiom” (New York Times); DJ Leydis, who helped establish a thriving scene in Havana’s spoken-word and hip-hop underground and garnered U.S. attention long before she arrived stateside in 2006; and dancer, teacher, and choreographer Ramos Alayo, who founded the Alayo Dance Company and CubaCaribe and has performed with some of the most respected choreographers in the Bay Area, including Robert Henry Johnson, Kim Epifano, Sara Shelton Mann, Joanna Haigood/Zaccho Dance, and Robert Moses’ Kin. The play also features video footage from filmmaker Eli Jacobs-Fantauzzi, who documented Flores’s research process throughout.
In We Have Iré, the cast of characters gather to party, dance, and play music while sharing stories about their traditions, their lives in Cuba, and their individual journeys from Cuba to the United States and back. Flores’s deeply personal dive into themes of transnationality and citizenship is supplemented by traditional Yoruba songs and dance from Alayo, live Cuban jazz from Terry, Latinx hip-hop and timba beats from DJ Leydis, and bilingual spoken word to underscore the virtuosity of Afro-Cuban and Cuban American artists.
Run Time: 80 minutes with no intermission, in Spanish and English with English Supertitles.
See performance video clips and info about WE HAVE IRÉ at http://www.paulsflores.art