Raúl Hernández started his solo career in 1996 (which marked los Tigres’ 28th anniversary).
As a solo artist, he maintained his regional Mexican focus, but while los Tigres are a norteño group first and foremost, Hernández’ solo output has included not only norteño, but also banda, mariachi, and ranchero.
His first solo album, Rancheras y con Banda, was released by Fonovisa in 1996, and by early 2004, Hernández had provided seven solo albums for that Univision-allied label.
La Jaula de Oro. – Like y Comparte.
Born in Mexico, Hernández became seriously involved in music in 1968, when he co-founded los Tigres del Norte with his brothers Jorge Hernández (vocals, accordion) Hernán Hernández (electric bass), and his first cousin Oscar Lara (drums).
The group came about because rancher D. Eduardo Hernández, the siblings’ father, had suffered an accident that left him unable to work — Lara and the Hernandez brothers formed los Tigres del Norte in the hope of earning some money and helping their family out financially.
At the time, none of the Hernandez brothers were old enough to vote; Jorgé, the oldest of the three, was only 14 in 1968, and the idea that los Tigres del Norte (who subsequently moved to San Jose, CA) would still be together in the 2000s probably never occurred to them. But in fact, los Tigres were still going strong when the 21st century arrived; they turned out to be one of norteño’s most enduring, long-running groups as well as one of its most important.
Along the way, los Tigres earned a reputation for having very gutsy, biting, hard-hitting lyrics. Dealing with poverty, crime, drugs, and other issues, los Tigres’ songs have vividly described the social conditions that working class Mexicans have faced along the U.S./Mexico border; arguably, los Tigres are a norteño equivalent of the Clash, Bob Marley, Bruce Springsteen, or Rubén Blades.